Artista da Indonésia cria pinturas feministas em pergaminhos centenários

[{"selector":"#anim-d53bec4a-63c7-4241-9692-66af0e4a2f5f","keyframes":{"opacity":[0,1]},"delay":0,"duration":1000,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-0ca3ae25-983d-47f5-a635-e335024a5c4e","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-972a1cd2-4f78-485d-a20c-63c908733cfc","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] [{"selector":"#anim-a94c0e5b-8db8-4963-abe7-e7cd704cdb04","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] Citra Sasmita/Instagram

[{"selector":"#anim-bbdedeb4-1ee4-4d11-a026-ce0e2870d9aa","keyframes":{"opacity":[0,1]},"delay":0,"duration":1500,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-e1036432-ff44-40a9-b4ce-347e2b953dcc","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-1660baf4-f1c1-4eaa-9a14-e2810d7fd8f0","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-83e03f9e-0e03-4a4e-a470-74a679c2df3c","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] À primeira vista, você seria perdoado por pensar que o trabalho da artista indonésia contemporânea Citra Sasmita foi feito há centenas de anos. De longe, seus bordados e pinturas poderiam facilmente ser confundidos com pergaminhos antigos retratando um mito ou lenda Citra Sasmita/Instagram

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[{"selector":"#anim-6a22cd26-291d-46ed-b5fd-f8b2c5ba5ad9","keyframes":{"opacity":[0,1]},"delay":0,"duration":1500,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-0f355ddc-733e-4af7-b40b-4c01a155ab9f","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-86f67ed1-dc72-43f3-81a9-85f7c25a147a","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-0e60ad7d-68dc-4cfe-b671-7a45d0dfe66a","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] A rebelião, transformação e renascimento das mulheres são os temas que permeiam o trabalho de Sasmita, que subverte a iconografia tradicional balinesa. Sua nova exposição, “Into Eternal Land”, está em exibição no Barbican de Londres Citra Sasmita/Instagram

[{"selector":"#anim-f866da3a-3697-499c-92b8-4a55106f15f6","keyframes":{"opacity":[0,1]},"delay":0,"duration":1500,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-a1e22f28-1b88-46b0-8e2f-ff0410c39baa","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-306698c9-e478-49c7-a43b-71c65bf320d6","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-2bd4e4ae-cdbb-4504-9044-e3c30894741a","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] [{"selector":"#anim-c65e251c-4f6b-479c-ab2a-e6e31f1c97f1 [data-leaf-element=\"true\"]","keyframes":{"transform":["translate3d(-31.43749988736347%, 0, 0)","translate3d(0%, 0, 0)"]},"delay":0,"duration":2000,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] “Eu estava realmente interessada em explorar a raiz da cultura patriarcal em Bali”, disse Sasmita à CNN sobre sua ilha natal na Indonésia, durante a abertura da exposição Jo Underhill/Barbican

[{"selector":"#anim-90df70e4-5a03-480a-99f8-f6af0bd7eb61","keyframes":{"opacity":[0,1]},"delay":0,"duration":1500,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-f2ad1d91-9c80-4b46-8f5f-dd4deda9b617","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-ca789803-8be2-4e74-bda4-bdaf0a6e6aa7","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-30939083-26bb-4500-9661-2f33c9507be9","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] Ela explora os temas de ritual, céu e inferno, criando um novo elenco de personagens para sua própria versão de lendas e mitos canônicos — agora preenchidos com representações das experiências das mulheres Citra Sasmita/Instagram

[{"selector":"#anim-df9858b3-52eb-4ada-8e69-a2a42ce1be3c","keyframes":{"opacity":[0,1]},"delay":0,"duration":1500,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-d0f4e1b8-ff7d-4d6d-ae9a-4f2955db2a15","keyframes":{"opacity":[0,1]},"delay":0,"duration":600,"easing":"cubic-bezier(0.4, 0.4, 0.0, 1)","fill":"both"}] [{"selector":"#anim-e16ab448-074b-4c56-bf49-57c67609f9c2","keyframes":{"opacity":[0,1]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"both"}] [{"selector":"#anim-ecd603ec-601d-47d2-bfd6-9601a31df212","keyframes":{"transform":["scale(0.3333333333333333)","scale(1)"]},"delay":0,"duration":500,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] “Trazer as mulheres para a narrativa principal desta obra de arte, fazendo delas as heroínas da minha própria história, esta é minha declaração pessoal como feminista“, disse ela Jo Underwood/Barbican

CNNBRASIL.COM.BR

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